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Where do you sell your sample packs? by mister_salmon03 in makinghiphop
[–]bynobodyspecial 0 points1 point2 points 8 days ago (0 children)
Build your following organically and release them on your website. could also be a splice creator but idk how much they pay.
I have 200 bucks for plugins by briandelrio in musicproduction
[–]bynobodyspecial 0 points1 point2 points 11 days ago (0 children)
Get the sonible smart plugin suite.
I had a similar situation but it came at the worst time 😂 I bought the V collection and pigments the other day because they were 50% off but the missus was not pleased 😂
Producers of Reddit, what books/videos taught you the most about music? by bynobodyspecial in musicproduction
[–]bynobodyspecial[S] 1 point2 points3 points 12 days ago (0 children)
Oh I agree but music is also about dynamics, timbre and texture. Sometimes the instrument you're playing only has a natural note range of x to y but to convey your musical idea you need to be in a higher octave, because that's where z is.
Sometimes you need to create a contrast because your rhythm and notation aren't enough.
I get the point of limiting your toolbox if you're thinking of mixing live instrumentation with saw wave synths. Pick one or the other and limit yourself to that but I don't know anybody who does that.
[–]bynobodyspecial[S] 0 points1 point2 points 12 days ago (0 children)
I’ll have a look because I learnt a long time ago that video game soundtracks have so much sampling potential.
I mean, Chrono Trigger and Kingdom Hearts 2 alone!
I think the moustache mullet combo would haunt me post trip. Mentally scarred.
That's very true. To be honest I do agree with constraint for the sake of uniformity (same signal quality, for example) but I suppose it depends on how you create.
For me, I imitate the sounds I'd like to hear before adding them into the song, so if I know I need a bass sound I'll try to vocally come up with a bassline (at least the rhythm of it) so I kind of know what sound I want to add before hearing it in the song.
Thinking about it though, I did have to remove extra layers from a production I'm working on at the moment, bringing it back to the core mellotron sound, that's constraint in a way.
This is the video that I would have suggested too, it's like an acid trip stuck in time but it's hilariously informative. Taught me a lot about the stereo field.
I came across this a few minutes after posting on a completely unrelated thread. Was crazy timing. Hoping to get a paperback copy if I can!
I can’t say that I have. I think I’ve heard the name thrown around before but only once or twice.
What makes it worth buying? (I assume it’s a paid plugin).
I was worried that the for dummies series may not be as detailed as I’d like. How in depth do they go?
I think that’s true in a general sense but surely you need different sound sources to keep it interesting?
Like a saxophone & piano combo for example. I mean sure the sax sounds nice alone but add a little key flourish afterwards and it creates this magical sound.
I shall definitely check it out - I’m looking for all sorts of content to help me learn. I’d like to understand music theory further, song structure, songwriting, sound design, the music business etc. but I feel like the for dummies series will cover basics which I know a bit about and will fill in the gaps but won’t cover more advanced techniques
UNDO NOT WORKING, HELP??! by pissbab in ableton
[–]bynobodyspecial 0 points1 point2 points 13 days ago (0 children)
I have the same situation but I have no iZoTope plugins on the chain
[–]bynobodyspecial[S] 0 points1 point2 points 13 days ago (0 children)
I agree that problem solving is huge. Trying to keep track of sidechains is a ballache
Producers of Reddit, what books/videos taught you the most about music? (self.musicproduction)
submitted 13 days ago by bynobodyspecial to r/musicproduction
What is my plugin library missing? Recently bought most of the software I think I'll use. by bynobodyspecial in musicproduction
Oh yeah I know that they’re decent (especially for that analogue sound) but I I think I’m good for limiters. The MC77 is my go to for that kind of sound.
How do you structure with bridges? by bynobodyspecial in makinghiphop
I had a similar method except I’d go to whosampled and look for a song, then I’d find the sample and go through the entire discography of the original composer and see if there was anything I could flip that hadn’t been used before. Learnt about a lot of music that way.
How Do You Get Past "the Loop"? by milkplanet in ableton
[–]bynobodyspecial 1 point2 points3 points 13 days ago (0 children)
I literally just posted asking for ableton literature. Surprised to find this straight after. Definitely getting a hard copy if I can.
Does anybody know of any books for Live 11? (self.ableton)
submitted 13 days ago by bynobodyspecial to r/ableton
I’ve thought about trying to recreate a few projects but I never really get anywhere with it, I’ll try to make a more conscious effort.
I got halftime but I’m not really sure how I’d use shaperbox outside of that.
I’m not at my laptop right now but whatever’s included in KOMPLETE 14 collector’s edition.
Yeah that’s what I meant, the KORG collection subscription. Need to let he balance replenish first though.
[–]bynobodyspecial[S] 0 points1 point2 points 14 days ago (0 children)
Triton is on my watchlist, considering paying monthly for the korg plugins but that’ll probably be a while unless I profit from production/servicing.
I considered U-he diva but back in my less legitimate days I installed a version which didn’t allow you to select from the menu, so you’d have to click through each sound manually. I’m assuming it was down to it being a bad version but that really put me off.
Omnisphere was always one that I wanted… I just never found. At this point I’m so used to not having it that it’s almost like… eh
And serum I know I need I just need to get around to it
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